List of Publications

PUBLICATIONS

EDITED COLLECTIONS:

“Staging Antiquity.” guest introduced and edited, Opera Quarterly 29, no. 2 (Spring 2013).

ARTICLES and BOOK CHAPTERS:

“Listening in Hard Times: Music for Struggle and Solace.” #J18 Teach.Organize.Resist. (Published by the Institute on Inequality at UCLA Luskin, 2017), 96-103. [view here]

“Erik Satie’s Socrate (1918), Myths of Marsyas, and un style dépouillé.” Current Musicology 98 (2014): 95-119. [view here]

“Ballet Suédois, 1920-1925.” Routledge Encyclopedia of Modernism. Taylor and Francis, 16 October 2016, https://www.rem.routledge.com/articles/ballets-suedois-1920-25.

“Eva Palmer-Sikelianos Dances Aeschylus: The Politics of Historical Reenactment When Staging the Rites of the Past.” Choros: International Dance Journal 5 (Spring 2016): 1-11. 

“Satie, Erik Alfred Leslie (1866-1925).” Routledge Encyclopedia of Modernism. Taylor and Francis, 9 May 2016, https://www.rem.routledge.com/articles/satie-erik-alfred-leslie-1866-1925.

“The Classroom and Public Musicology,” Musicology Now, Official Blog of the American Musicological Society, 16 December 2015, http://musicologynow.ams-net.org/2015/12/bringing-public-musicology-in-classroom.html.

“Eroticizing Antiquity: Madame Mariquita, Régina Badet and the Dance of the Exotic Greeks from Stage to Popular Press.” In Opera, Exoticism and Visual Culture. Edited by Hyunseon Lee and Naomi Segal. Bern, Oxford, and New York: Peter Lang, 2015.

 “Maurice Emmanuel and Atossa’s Dream: Yoking Music and Dance, Antiquity and Modernity in the Opera Salamine (1929).” Cahiers de la Société québécoise de recherche en musique 13, no. 1-2 (2012): 27-34.

“Dancing Greek Antiquity in Public and Private: Isadora Duncan’s Early Patronage in Paris.” Dance Research Journal 44, no. 1 (2012): 2-27.

“Seeing Sappho in Paris: Operatic and Choreographic Adaptations of Sapphic Lives and Myths.” Music and Art: International Journal for Music Iconography 38 (2009): 289-308.

“‘Greek’ Desires in Paris: Isadora Duncan Dances Antiquity in the Lesbian Salon.” Proceedings of the Society of Dance History Scholars, Thirty-First Annual Conference, Le centre national de la danse, Pantin, France. (2007): 48-53.

Étrange n’est-ce pas? The Princesse Edmond de Polignac, Erik Satie’s Socrate, and a Lesbian Aesthetic of Music?” French Literature Series 34 (2007): 87-99.

“Film as Multimedia and Performance: Analyzing Dada Film Music and Erik Satie’s Cinéma.” Resonances: An Interdisciplinary Music Journal 3 (Spring 2006): <http://www.usc.edu/resonance&gt;.

REVIEWS:

Book review of Nijinsky’s Bloomsbury Ballet: Reconstruction of the Dance & Design for Jeux, by Millicent Hodson (Hillsdale, NY: Pendragon Press, 2010) and Stravinsky’s Pulcinella: A Facsimile of the Sources and Sketches, by Maureen A. Carr (Middletown, WI: A-R Editions, 2008), in The Journal of the American Musicological Society 65, no. 1 (Spring, 2012): 276-288.

Book review of Classic Chic: Music, Fashion, and Modernism, by Mary E. Davis (Berkeley: University of California Press, 2006), in Contemporary French Civilizations 33, no. 1 (2009): 251-255.